

Sixty thousand photographic negatives sat for forty years in a safe at a Stockholm bank, and no one knows who put them there or who paid to keep them. Raoul Peck’s documentary won an award at Cannes, and the words of Ernest Cole, a freelance photographer from South Africa, still ring just as true.
In 1960s Johannesburg, Ernest Cole is one of the first Black photographers in South Africa to work for himself. He documents the reality of apartheid and smuggles his negatives out of the country, and at twenty-seven he sees a book of his photographs published abroad. South Africa bans it, and when his passport expires, the embassy refuses to renew it. By the time he arrives in New York, he knows there’s nowhere left to go back to.
Cannes Film Festival
Golden Eye Award
2024
César Awards
Nominated for Best Documentary Film
2025
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