THE BOY

The impressive alt-history psychoanalytic sci-fi thriller by The Boy imagines Greece’s modern political history in a different way: Through a handmade, crimson universe, somewhere between giallo, erotica and sci-fi, starring Sofia Kokkali in a jaw-dropping one-woman show. — Niki's devotion to the resistance gives away her inability to respond as a mother. Lefteris, Niki’s son, inherits a past that he himself never dreamed of. Until one day, the thread that connects them, an invisible psychological umbilical cord, is severed. The Mother's struggle for her political beliefs is transformed into psychological chains that imprison the Son, who must ultimately fight for his own freedom and seek his own redemption. — Iris Award for Best Leading Actress | Hellenic Film Academy | 2017

Improvisational experimentation with the freedom of the digital camera, youthful creativity and recklessness, promises of an impressive future. Alexandros Voulgaris' first feature film has all of the above and even more. — Vassilis is an accountant in a film production office and is casting for a movie. Nadia is involved in the arts and is looking for a job. He is still immature and she is shy and underestimates her looks. Their paths will cross while friends and acquaintances move around them, all confused and lonely in their own way. — Official Selection | Toronto Film Festival | 2004

In his second feature film, Alexandros Voulgaris tenderly charts the emotional quests of an entire generation at the beginning of a new millennium, but above all he introduces us to a dog called Roz (meaning Pink). — Vassilis is a loner, he writes music and reminisces about Emily, a girl from Ireland whom he fell in love with on a New Year's Eve in Berlin. During the filming of a documentary about immigrant musicians in Greece, he meets 11-year-old Snezana from Ukraine. A special relationship develops between them, one that helps each of them free themselves from their own ghosts. — Official Selection | Toronto Film Festival | 2007 Official Selection | Karlovy Vary Film Festival | 2007 Official Selection - International Competition | Thessaloniki Film Festival | 2006

A tender manifesto of savagery, a deeply political and aesthetically aggressive sci-fi film that seems to emanate from a future that has violently collided with the past. Perhaps the most idiosyncratic film of the Greek 10s. — A group of people exile themselves to Makronisos to protect themselves from the Infected. 37 years later, we are watching the outcome of that decision. Six people next to fossils of civilization, aimlessly carry the roles that have been imposed on them, letting madness accompany them to their annihilation.

In his most ambitious, experimental, yet vulnerable moment, Alexandros Voulgaris directs a deconstructed magnum opus about lost dreams and the specter of reality in the age of the pandemic. — Seventeen monologues about a gym that doesn't exist anywhere, about a movie that was never made, about the actors in that movie, about the words that turned them into real characters.

Alongside his personal film and music career, the versatile Alexandros Voulgaris has in recent years directed a number of video clips of well-known Greek artists that are presented for the first time in his order of choice, like a movie that has never been shot. — 17 music films, from 2016 to 2022. Songs by Miss Trichromi, Nalyssa Green, Foivos Delivorias, Pavlos Pavlidis & B-Movies, Lolek, Tango With Lions, Krista Papista, Victory Collapse, Baby Guru, Kristof, Nefeli Fasouli, Paidi Trauma, The Boy.