Leaving Soon

Nominated for the John Cassavetes Award at the Independent Spirit Awards, Alex Thompson's directorial debut is a film full of warmth, honesty, and subversive humour, touching with courage and disarming sensitivity taboo subjects of female self-determination and human connection. — A 34-year-old woman, with no clear direction in life, takes a job as a nanny for a young girl. As she forms a deep bond with the child, she is confronted with an unwanted pregnancy. Torn by doubt and the possibility of abortion, she embarks on a deeply personal journey of self-discovery. — Audience Award | SXSW Film Festival | 2019 Special Jury Award | SXSW Film Festival | 2019 Nomination for the John Cassavetes Award | Film Independent Spirit Awards | 2021 Nomination for the Mermaid Award | Thessaloniki Film Festival | 2019

Suddenly, everyone starts seeing Nicolas Cage in their dreams. Relatable! The great Cage stars in a delightfully nightmarish and constantly unpredictable satire, delivering one of the finest performances of his career. — The life of Paul Matthews (Nicolas Cage), a dull academic and family man, is turned upside down when millions of strangers suddenly begin seeing him in their dreams. But when these nightly encounters take a nightmarish turn, Paul is forced to deal with his unexpected fame. — Nomination for Best Performance by an Actor in a Motion Picture (Nicolas Cage) | Golden Globes | 2024

Far from the cliché dramas about inspired teachers in "difficult" schools, Maria Speth's documentary is a rare cinematic record, a much-needed documentation of the educational process in Europe's diverse contemporary reality. — Dieter Bachmann is the teacher of class 6B of the introductory year for the high school in Stadlendorf, a city of immigrants, whose children he prepares for the German reality away from strict academic guidelines. — Jury Prize | Berlin Film Festival | 2021 Audience Award | Berlin Film Festival | 2021

Nicolas Bedos (“La Belle Époque”) and Doria Tillier were a couple when they wrote the script together, and they play husband and wife across forty-five years of marriage, from 1971 to 2016. It starts out as a French comedy, but it doesn’t take long to turn cruel. — It’s 1971, and Sarah is finishing a doctorate in classics when she falls for Victor, a writer no publisher wants, and only afterwards for his writing. The next forty-five years bring affairs, money, a son, a divorce and a way back to each other. Victor becomes famous, and through every book he writes, Sarah is right there beside him.

At first, he didn't bother anyone... The director of "The Women of the 6th Floor" delivers an exemplary thriller of chilling social implications, with the riveting François Clouzet ("The Untouchables") opposite Jeremy Renier and Berenice Bejo. — Simon and Hélène decide to sell a basement in the building where they live. A former history professor with a troubled past buys it and moves in without notice. Little by little, his presence will upset the couple's life.

Gripping and topical crime thriller about modern cities. Police violence, corruption, gentrification, in a puzzle of violence and dark interests that will keep you at the end of your seat. From the super-successful creative duo Rodrigo Sorogoyen and Isabel Peña ("The Candidate", "Mother"). — During a violent eviction in a historic neighborhood of Madrid, an immigrant from Africa falls to the ground and is killed, in the presence of 6 special forces police officers. The internal affairs department begins a complex investigation to find out: are the men of the Riot Police to blame or is there something deeper to this shadowy case? Research will soon show that not everything is as it seems.

The chilling tension of Strindberg's emblematic play is perfectly conveyed to the silver screen. It feels like a silent, yet deafening, scream, which spins around in a choreography of passion, death and chaos. — On the night of the 1890 Summer Solstice, a day of celebration for Northern Ireland, the spoiled daughter of an aristocrat "allow" one of her father's servants to seduce her. In the uncontrollable revelry, when social restrictions largely disappear, Miss Julie and John dance and drink, charm and manipulate each other. Through her arrogance and his rudeness, the two of them form a connection. Uncertain as to what the day will bring, they resort to an act reminiscent of a Greek tragedy.

Legend has it Robert Pattinson once emailed the Safdie brothers offering to do even the catering on their set, and they gave him a role instead. As Connie, he has one night to tear across New York and raise bail, proof that the brothers could leave you breathless even before “Uncut Gems”. — Connie and his brother Nick rob a bank in Queens wearing rubber masks, but a dye pack goes off in the getaway car, and while Nick ends up in police custody, Connie gets away. The bail is more than he could raise in a lifetime, never mind a single night, yet he sets off across the city to find it anyway, careering from one bad idea to the next. — Best Soundtrack | Cannes Film Festival | 2017 Official Selection | Locarno Film Festival | 2017

Multi-award-winning Danish director Thomas Vinterberg writes and directs his first television series - a tender and evocative ode to loss and hope, portraying love as the last remaining homeland. - In a not-too-distant future, Denmark collapses, and the government orders a full evacuation of the country due to rising water levels, forcing some families to break apart and others to redefine themselves.

One fight after another: a relentless streak of tragedy marks a legendary family of boxers in the 1980s, in a gripping family portrait from Sean Durkin (The Nest), featuring powerful performances by Zac Efron, Harris Dickinson, and Jeremy Allen White. — The true story of the inseparable Von Erich brothers, who made history in the fiercely competitive world of professional wrestling in the early 1980s. Through triumph and tragedy, and under the shadow of their domineering father and coach, the brothers fight to leave their indelible mark on the sport’s most iconic rings.

A film within a film? An actual life veiled under the pretense of fiction? A middle-age crisis? Canet’s deeply self-deprecating and enjoyable comedy turns the camera on himself, with terrifically fun (and somewhat psychoanalytic) results. — For the 43-year-old Guillaume Canet, life doesn't get any better. He has a job he loves, a happy family and he’s famous. But during the shoot of his new film, his young co-star informs him that he is not considered cool by the new generation. Everything collapses; his quiet private life with Marion Cotillard, his horses and their country house are neither interesting nor sexy. Guillaume realizes he has to take drastic measures to transform his image; but his loved ones disapprove of his choices.