Λέγεται Έστλουντ


Ruben Östlund's first feature film showed the first solid signs of the talent of the later double Cannes winner, who defies the rules of traditional film narrative with a pseudo-documentary, hailed by international critics as an "art-house version of Jackass and Candid Camera".
The everyday life of a group of lonely, unconventional people in modern Sweden: a boy who composes punk songs, a neurotic woman on the verge of self-destruction, men who play with their guns.
Moscow Film Festival
FIPRESCI Prize
2005
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